Tag: cinema studies

I’m happy to announce that the collection The Other Hollywood Renaissance, co-edited with R. Barton Palmer and Murray Pomerance, will be released in paperback edition this August. This collection, first released in late 2020, re-examines the work of 24 directors associated with the Hollywood Renaissance/New Hollywood, including Terrence Malick, Brian De Palma, and William Friedkin, but also directors that have typically attracted less critical attention, such as Elaine May, Paul Mazursky, Peter Yates, and John Schlesinger. I’m hugely appreciative of the work of co-editors Barton and Murray—who have chapters of their own in the book—as well as the tremendous work of scholars such as Steven Rybin, Rebecca Bell-Metereau, Dennis Bingham, I-Lien Tsay, Con Verevis, and many others, whose intricate and compelling appraisals of their respective subjects make this book what it is. My own chapter is on William Friedkin, examining both his film style and the troubled personalities that populate The French Connection (1971), The Exorcist (1973), Sorcerer (1977), and Cruising (1980).

Find The Other Hollywood Renaissance at the Edinburgh University Press website, as well as Amazon and other online retailers.